What is “the common good”? How do individuals consider this idea, this question, and how are societies led, or misled, by its pursuit? Together, we will explore sources from a range of perspectives: What does Aristotle’s theory of the common good teach us? Or the Federalist Papers, the design of Baltimore’s public transportation system, meritocracy in higher education, the perniciousness of pandemics, proliferation of nuclear weapons, restorative justice, or intimate love? Drawing from film, journal articles, literature, and other sources—authors/creators include Rachel Carson, James Baldwin, Bong Joon-ho, Jhumpa Lahiri, Michael Sandel, and more—this First-Year Seminar is as much about how we ask and interrogate challenging, timeless questions as it is about the answers themselves. Engaging our material and each other, we will work together to hone the habits of scholarly inquiry essential to this practice: reading, writing, talking. The seminar will culminate in a final, collaborative research project that seeks to map, and manifest, versions of the common good.

• Days/Times: T 1:30PM - 4:00PM
• Instructor: Watters, Aliza
• Room: Greenhouse 113
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

Hospitals: Virtually all of us were born in one, most of us will eventually die in one, and in between all of us will spend at least some time in one. Lots of you likely aspire to spend your careers in one. Along the way we, or some third-party payer, will spend a considerable amount of our health care benefits there. Our focus will be on the history of the hospital from its origins in early modern Europe and the Islamic world, through the early modern period, to the rise of the modern urban mega hospital. The Johns Hopkins Hospital has been ranked as one of the nation’s best by US News and World Report since its annual survey began, and spent nineteen straight years at number one. So we will devote some time to its history, and the history of its affiliated programs—The School of Medicine, The Bloomberg School of Public Health, and the School of Nursing. For your major project, you will serve as advisors to the university’s Planning and Architecture committee. Drawing on your extensive knowledge of the history hospitals and medicine, you will re-envision the medical campus of the 21st century

• Days/Times: MW 12:00PM - 1:15PM
• Instructor: Leslie, Bill W
• Room: Gilman 300
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

This First-Year Seminar is designed to introduce students to the fundamental physical and chemical origins of color and how we perceive them - from the vivid palette provided by the natural world to the brightly colored clothing we wear. Beginning with the basic principles of light and color, we will embark on an interdisciplinary investigation of color, including, but not limited to: color chemistry; color in biology; the physiology of the eye; how color affects human psychology; the history of color and light; and the use of color in art. Discover the physical and chemical explanations behind several noteworthy phenomena such as sunsets, color-blindness, rainbows, fireworks, chameleons and the Aurora Borealis.

• Days/Times: F 1:00PM - 3:30PM
• Instructor: Young, Jamie
• Room: Gilman 10
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

In this First-Year Seminar, we will seek to answer questions including: could you forge Beskar? What would it take to make a light saber? Is "Image, enhance" really possible? What is possible today? What might be possible in the future? And, what may never be possible, as it violates the laws of nature as we know them? We will take an empiricist approach, gathering data on the needed properties via screenings and related research, and then applying physical principles to reveal feasibility.

• Days/Times: MW 12:00PM - 1:15PM
• Instructor: McQueen, Tyrel
• Room: Bloomberg 361
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

This First-Year Seminar will explore the neuroscience of choice. In addition to exploring the neurobiology of choice, we will dabble with philosophical ideas of free will and determinism. We will also touch on questions related to culpability. For example, are people who break the law but suffer from brain damage responsible for their actions? Sound interesting? Well, why stop there? Let’s sit back, eat some popcorn and take a look at how popular culture depicts the neuroscience of choice in the movies. Yes, with your help, we can do it all – but will you choose to???

• Days/Times: TTh 12:00PM - 1:15PM
• Instructor: Trageser, Jason
• Room: Gilman 134
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

This First-Year Seminar invites you to think about reading as a cognitive process, a cultural obsession, and fascinatingly diverse array of practices. We will consider the act of reading from a range of perspectives (cognitive science, educational, political, sociological and literary) and examine artefacts of reading culture (premodern tablets, manuscripts, books as material objects, the screens that dominate contemporary life). We will activate these perspectives in order to grapple with a range of values associated with reading – moral agendas and political virtues, ideas of isolation and community, shifting concepts of individual and public. There are three broad goals for students in this course: • to develop a critical vocabulary for reading practices & paradigms; • to develop a cross-cultural and historical view of reading; • to develop an active agenda about their own learning beyond this course and the role of seminars in it.

• Days/Times: TTh 12:00PM - 1:15PM
• Instructor: Barry, Kelly L
• Room: BLC 4040
• Status: Open
• Seats Available: 1/12
• PosTag(s): n/a

Why do we listen to music? What use is it? Can it help us learn more, run faster, feel happier? Can it improve our lives? Can it cure disease? WMD is for musician and non-musician alike. It is designed for students with all sorts of musical tastes and academic interests. It also challenges the usual “top down” approach of most courses, where the professor decides most of what will be studied before the class begins and delivers most of the class content. By contrast, in this course students are invited to relate their majors or other interests to the power of music and then share these ideas with the rest of the class. For example, neuroscience majors might study how music benefits memory in Alzheimer’s patients. Or political science majors, the power of music in diplomatic missions. Students research topics like these and then assign related texts as homework to the rest of the class, including the professor. They’re given broad freedom of choice for these texts both in content and form. The goal is not to create a “great books” class so much as a “great questions” class, since great questions can be inspired by terrible or trivial sources, just as awful or insignificant situations can spark epiphany. But whatever the text, I, as the professor, must be willing not to profess. In fact, in this classroom I’m no longer a professor but a professional student, sharing with my fellow students an interest in music and its many possibilities. And yet, even more important than pursuing these shared interests, this course ultimately aims to help students create community by practicing better communication. Even if you forget everything you learned in this class, I hope you will remember your classmates.

• Days/Times: TTh 3:00PM - 4:15PM
• Instructor: Foster, Daniel Harmon
• Room: Krieger Laverty
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

Most people think the strongest kind of evidence in a criminal case is a confident eyewitness. Most students think re-reading textbook materials or class notes is the best way to prepare for an exam. And all too many people think that measles vaccines cause autism. All three of these ideas are wrong. In this First-Year Seminar, we will explore what modern psychology has uncovered about how our intuitions concerning human nature deceive us, and lead to incorrect ideas such as the ones just mentioned. We will discuss a wide variety of topics including “the attention economy,” groupthink, and subliminal perception.

• Days/Times: W 1:30PM - 4:00PM
• Instructor: Egeth, Howard E
• Room: Shriver Hall Board Room
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

"This First-Year Seminar focuses on the lives of Mozart, Beethoven, Schumann, and Chopin and the depictions of their lives in film during the 20th century. The seminar provides both an introduction to film analysis and music history biography. In the last module, we will examine the canon of Western art music composers and consider historiographical issues along lines of gender, race, and other American demographics within this inherited tradition--all toward a collaborative final project. Excursions to concerts and other events will be offered. This First-Year Seminar focuses on the lives of Mozart, Beethoven, Schumann, and Chopin and the depictions of their lives in film during the 20th century. The seminar provides both an introduction to film analysis and music history biography. In the last module, we will examine the canon of Western art music composers and consider historiographical issues along lines of gender, race, and other American demographics within this inherited tradition--all toward a collaborative final project. Excursions to concerts and other events will be offered. "

• Days/Times: TTh 4:30PM - 5:45PM
• Instructor: Ahn, Suhnne
• Room: Gilman 134
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

How well do we understand the natural world? Are there common principles that can explain everything about it? What remains to be understood? Do we understand our past well enough to predict our future? Can I really take this seminar even if I don’t have a background in science or math? Yes you can! In this seminar we are going to emulate the Greeks, who without the benefit of the technological and mathematical armamentarium available today, driven simply by curiosity and their imagination, identified some of the fundamental questions that still puzzle us today. In the process they laid the foundation for modern science. Many of their insights have stood the test of time. We will examine the nature of nature by asking deep questions about the world around us and by examining phenomena we experience in our daily lives. We’ll try to identify continuity and connectivity between aspects of nature that are usually treated separately. Perhaps you’ll discover that science and religion, and scientific and humanistic inquiry, are more similar than you might think. Our seminar is organized around weekly conversations informed by all manner of sources: popular science writing, newspaper articles, fiction, poetry, and film. We will even do simple experiments in my lab (no lab or science experience necessary) to illustrate the logic of life.

• Days/Times: T 1:30PM - 4:00PM
• Instructor: Garcia-Moreno, Bertrand
• Room: Jenkins 102
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

In this First-Year Seminar, we examine inequalities in income, wealth, and working conditions in the United States today. What do the historical trends look like and how do economists explain them? Is economic inequality a significant problem? If so, why? And what tools do we have in the policy arsenal to address it? We will draw on diverse sources, including economics readings, op-eds, podcasts, and short vignettes from literature to motivate our weekly discussions. Students will have the opportunity to present group research and lead class discussions drawing on the economic concepts developed in class. At the end of the semester, students will complete an individual research project exploring some aspect of current inequality, inspired by their own selection from literature, poetry, music, or film.

• Days/Times: W 1:30PM - 4:00PM
• Instructor: Morgan, Barbara Anne
• Room: Gilman 35
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): CES-PD, CES-RI

Freedom of speech, and the related freedom of the press, are core values for democracies -- and for universities, in which the freedom to challenge accepted beliefs is assumed to be essential to advancing knowledge. The 1st Amendment to the US Constitution guarantees freedom of speech and of the press, as do the Canadian Charter of Rights and Freedoms and the European Convention on Human Rights among other statements. But like other rights, my right to freedom of speech may conflict with yours, or it may infringe on other important rights or societal objectives. As a result, freedom of speech cannot be (and in practice is not) unlimited. In this seminar, we will be asking why freedom of speech has been accorded such importance, and how and why it might legitimately be limited, in politics, in business, in everyday life, and in universities, looking both at the United States and at other liberal democracies. Reading will include opinions (both majority and dissenting) of courts in the United States, Canada, and Europe, with discussion informed by Justice Robert Jackson’s quip about the US Supreme Court (but equally applicable to other top-level courts): “We are not final because we are infallible, but we are infallible only because we are final.”

• Days/Times: MW 9:00AM - 10:15AM
• Instructor: Katz, Richard Stephen
• Room: Gilman 134
• Status: Open
• Seats Available: 3/12
• PosTag(s): n/a

Cults, communes, and conspiracies are unusual social and ideological organizations. How should we understand their origins, structure, and functioning? In our First-Year Seminar, we will assess the value of alternative explanatory concepts from the social sciences, such as charismatic leadership, organizational ecology, network structure, status competition, social influence, and belief propagation. We will then interpret cases in comparative perspective, asking, for example, how cults differ from religious sects, how communes differ from political movements, and how organized crime groups differ from legal businesses.

• Days/Times: Th 9:30AM - 12:00PM
• Instructor: Morgan, Stephen L
• Room: Mergenthaler 526
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

"What don’t we do with words? Even silence makes manifest the power of speech. This course will introduce you to some of the ways that power has been described and thought about. In addition to studying arguments that connect the power of speech to what it means to be human, we will explore various attempts both to protect and limit speech, taking into consideration not only how we do things with words but how words affect us. Topics that will be covered include freedom of speech, censorship, hate speech, talking back, silence, and storytelling. We will read texts in philosophy, political science, law, and literature, and we will watch at least one film or play. While we discuss the power of speech, we will also reflect on the ways in which discussion fosters a community. In other words, the experience of our discussion is a topic for our conversation. First-year seminars are designed to encourage “meaningful civil exchange among students across disciplinary interests and backgrounds” as well as to “foster early, sustained faculty-student interaction and mentorship.” We will talk about how such seminars are supposed to work and how they may (or may not) realize their goals. Reading, analyzing, and discussing the texts assigned in this course will help us develop foundational critical thinking skills; how might these activities also establish a sense of (group) identity?

• Days/Times: MW 3:00PM - 4:15PM
• Instructor: Culbert, Jennifer
• Room: Jenkins 107
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

This First-Year Seminar explores the intersection between medicine and film, looking at how medicine, medical providers, and narratives of illness and health are depicted in cinematic works. Some of the questions that the seminar pursues are: What are some of the medical issues that filmmakers focus on? How did the cinematic portrayal of medicine change over time? What role do these films play in shaping public perceptions of medicine, medical providers, and medical institutions? By watching a number of films throughout the semester and reading some accompanying texts, students will develop deeper knowledge both of the history of medicine in cinema and the tools that cinema offers to the telling medical stories.

• Days/Times: W 3:00PM - 5:30PM
• Instructor: Bayoumi, Soha Hassan
• Room: Greenhouse 113
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

The Middle East is home to some of the world’s earliest and most important literature. In this First-Year Seminar, students will read in translation a selection of texts from different traditions that flourished in the pre-Islamic Middle East. Sample readings include the Epic of Gilgamesh, the Descent of Ishtar to the Netherworld, and the battle between David and Goliath from the Hebrew Bible. As we read, we will consider why ancient Middle Eastern literature may be more relevant to our own present moment than ever before.

• Days/Times: Th 1:30PM - 4:00PM
• Instructor: Lauinger, Jacob
• Room: Gilman 130G
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

Social science is the scholarly study of society and social behavior. This First-Year Seminar will introduce students to the social sciences by studying poverty in America through the lens of economics and other social sciences, including sociology and anthropology. The quantitative approach taken by economics will be compared and contrasted with qualitative approaches. Illustrations of how the lives of the poor are led as depicted in ethnographic studies, movies, and literature will be studied to learn how integrated perspectives can be formed. Students will learn how to read scholarly articles with a critical eye, to speak about their interpretations of the material, and to write short critical essays. Students will also be introduced to quantitative analysis using graphs and tables. Group projects will be required. Guest lecturers bringing non-economics perspectives will visit the class.

• Days/Times: TTh 10:30AM - 11:45AM
• Instructor: Moffitt, Robert A
• Room: Gilman 134
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): CES-PD

In this First-Year Seminar, we will examine the roles of love, fear, anger, and hope in our lives. We’ll ask questions about their value, danger, and appropriateness or inappropriateness in our lives at both the individual level and the level of political life. Some examples of questions we’ll consider are these: Should we love those who have wronged us? Is enjoying a horror movie morally problematic? How is fear used in political rhetoric and how should we respond to it? Is anger acceptable, or perhaps even necessary, in protest? Is love necessary for meaningful social change? When and how is hope justifiable and useful? We’ll also draw connections between these emotions and engage with related concepts such as forgiveness and trust. While our engagement with these concepts will be primarily through philosophy, we will also consider works of art and think about the value of portraying and evoking these emotions through various forms of art. Students can expect to read philosophical texts, journalism, occasional fiction and poetry, and to watch at least one horror film, among the sources for the course. Possible authors include Berit Brogaard, Noël Carroll, Myisha Cherry, Raja Halwani, Stephen King, Adrienne Martin, Martha Nussbaum, Edgar Allan Poe, Jason Stanley, and Desmond Tutu. We will take at least one field trip to a location in Baltimore during the semester. Students will emerge from this course with a more nuanced understanding of these powerful and often controversial emotions, and the ability to talk about them in an academic and public context.

• Days/Times: TTh 12:00PM - 1:15PM
• Instructor: Koullas, Sandy Gillian
• Room: Krieger Laverty
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

This First-Year Seminar is designed around what is on stage in Baltimore and DC this fall. We will attend several plays, both professional productions and student productions at JHU. We will pay attention to the interpretation of plays on the page, and to the ways that scripts materialize as performances on the stage. We will place these performances in the context of larger theatre histories, studying great plays from the age of Shakespeare to contemporary American theatre. No acting experience is required – just the desire to explore the theatre of today. A great way to find out about the lively theatre scene on campus, and a great way to get to know your new city.

• Days/Times: TTh 9:00AM - 10:15AM
• Instructor: Stoll, Abraham D
• Room: Krieger Laverty
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

What do French views on culture, society, and politics tell us about ourselves? France is frequently misunderstood and criticized in US media, yet books and articles touting various aspects of a “French” lifestyle are bestsellers. French media, for its part, commonly engages in US-bashing, yet the popularity and influence of American culture there are undeniable. Why have many prominent Black American writers sought refuge in France, while many French intellectuals have chosen to bring their academic work to American universities, including The Johns Hopkins University? A cross-cultural examination will allow this First-Year Seminar to bring to light many aspects of the complex relationship between these two countries that are historical allies yet ofttimes rivals. We will explore and discuss food, language, cinema, diplomacy, and health, as well as conceptions of friendship, family, identity, and social justice. Course includes a meal at a French restaurant, a museum visit, film screening, and guest speakers.

• Days/Times: TTh 10:30AM - 11:45AM
• Instructor: Wuensch, April
• Room: Krieger Laverty
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

If Shakespeare were alive today, he would be writing for TV. So would Jane Austen. With the advent of cable networks, DVDs, the internet, and live streaming, TV—once considered a “vast wasteland”—has become the most dynamic and creative medium for storytelling, attracting a host of talented writers, directors, and actors. This First-Year Seminar explores the innovative narrative strategies, structures, and character studies that transformed that wasteland into extraordinarily fertile terrain and ushered in a new Golden Age of TV.

• Days/Times: M 3:00PM - 5:30PM
• Instructor: Jewiss, Virginia C
• Room: Mergenthaler 431
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

From the early 20th century, Chinese society underwent a turbulent process of modern transformation. Industrialization, urbanization, and democratization challenged previous gender and family norms. Meanwhile, at exactly this time, the Chinese film industry flourished, especially in the modern metropolis of Shanghai. Women and family provided a useful microcosm through which to explore national questions related to revolution, war, and modernity. They also entertained a public eager for new leisure pursuits. Popular feature films not only recorded but also interpreted and helped shape family and gender roles. Using filmic representations as the main material this First-Year Seminar will survey the "family question" (and "the woman question") in 20th century China

• Days/Times: M 3:00PM - 5:30PM
• Instructor: Jiang, Jin
• Room: Mergenthaler 266
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

The plays of William Shakespeare contain many musical cues. In Hamlet, Ophelia expresses herself through song when she is unable to through speech. In The Tempest, the spirit Ariel lures the shipwrecked Ferdinand to the shore by singing a song. In this course, we will think through the role of music in Shakespeare’s plays, reading The Tempest, A Midsummer Night’s Dream, Romeo and Juliet, and Othello, with attention to the sonic worlds they create. In addition, we will explore the various musical pieces that these plays have inspired, from film to stage, opera to musical theater, delving into the methods by which they have been adapted to meet the needs of diverse audiences. In addition to the recorded audio-visual materials we will view together, we will seek out opportunities to view a Shakespearean adaptation with a musical component performed live.

• Days/Times: M 3:00PM - 5:30PM
• Instructor: Kass, Lily T
• Room: Krieger Laverty
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

How did the Greeks, Romans, and other ancient Mediterranean peoples understand human difference and diversity? How did they form their senses of self in relation to others and articulate kinship and commonalities across ethnic lines? Did skin color, birthplace, language, and lineage matter in constructing social hierarchies? How did their concepts of class and citizenship, beauty and belonging, differ from ours? Did they have anything akin to modern constructions of race and racism, blackness and whiteness, the ‘west’ and the ‘rest’? If not, when and why were such ideas invented, and how was Greco-Roman culture conscripted in their support? Finally and crucially, what can we do to make “classics” today more equitable, inclusive, and accurate to the multicultural reality of the ancient Mediterranean? This First-Year Seminar examines these questions, and many more, through the literature, art, and history of ancient Greece and Rome, with forays into Egypt, Persia, Judea, and northern Europe. It will introduce you to the diversity of the ancient Mediterranean world, hone your ability to critically interpret and discuss art, literature, and scholarship, and explore how systems of categorizing human difference have historically served power. This course will give you a wider historical lens through which to understand race, racecraft, the “classics,” and “Western civilization,” revealing all to be dynamic and historically situated discourses that have been used to exert authority, to include or exclude, and to build communities. It will also build student community and comfort discussing sensitive subjects through a combination of field trips, guest lectures, movie nights, and communal meals.

• Days/Times: Th 1:30PM - 4:00PM
• Instructor: Pandey, Nandini
• Room: Gilman 108
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

This First-Year Seminar is designed to introduce you to the human side of medicine by exploring ways in which patients and medical practitioners describe their personal experience. It has been structured to allow you to engage that material by reading it, viewing it in film, discussing it, writing about it and meeting with a practicing physician. Its a course not only about content, but also about process, the process of thoughtfully and openly engaging work about the lives of others. It is a seminar style course that emphasizes a friendly, protected setting in which to explore these issues. The course is facilitated by an experienced member of the Hopkins Medical Faculty, and has been designed to open a window through which you can begin to study the human concerns of patients and practitioners. The course is most likely to appeal to premedical and pre-health related students who are interested in exploring the human side of medicine, but also to students interested in biography, memoir and life-writing. At the end of this course, you will have gained an appreciation for some of the ways in which people express themselves about the illness experience or about working with the sick. You will have had a chance to develop longer, more personal relationship to such accounts than you are likely to have in clinical encounters in medical schools, training programs or even in clinical rotations. It takes time to listen. The course draws a small sample from a very wide range of such accounts that number in the thousands, so there is no attempt to generalize; rather, every effort is made to immerse ourselves into one account at a time and to understand one person’s experience at a time. Through this kind of immersion, you will develop a sense of how illness can affect a life, and the way in which practitioners become involved to find themselves in their own work.

• Days/Times: Th 9:00AM - 11:30AM
• Instructor: Mostwin, Jacek Lech
• Room: Jenkins 102
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

This First-Year Seminar is designed for students of all backgrounds to provide a mathematical introduction to social choice theory, weighted voting systems, apportionment methods, and gerrymandering. In the search for ideal ways to make certain kinds of political decisions, a lot of wasted effort could be averted if mathematics could determine that finding such an ideal were actually possible in the first place. The seminar will analyze data from recent US elections as well as provide historical context to modern discussions in politics, culminating in a mathematical analysis of the US Electoral College. Case studies, future implications, and comparisons to other governing bodies outside the US will be used to apply the theory of the course. Students will use Microsoft Excel to analyze data sets. There are no mathematical prerequisites for this course.

• Days/Times: TTh 1:30PM - 2:45PM
• Instructor: Cutrone, Joseph W
• Room: Krieger Laverty
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): AGRI-ELECT

This First-Year Seminar will explore how some important results in physics and astronomy are discovered, their transformative implications to the basic understanding of nature and their impact on the progress of society. Students will explore how simple rules obtained from the lab or in idealized settings imply the complex behaviors and dynamics observed in the natural world, and how they back-reaction on society. The seminar will explore the motivations for doing scientific research in various context, and how they relate to the application of scientific discoveries. An example of topic that will be explored is General Relativity, a subject that emerged purely from theoretical considerations by Einstein which have revolutionized our basic understanding of the physical world and have reshaped the fields of physics and astronomy. On the other hand, General Relativity is necessary for satellite timing which revolutionized communication in human society. Another example is the basic physics experiments and research that lead to the invention of the transistor and the ensuing revolution of the information age. The students will explore the value of scientific thinking and its necessity in building a more robust society that can effectively serve its citizens. We will have regular visits and talks from leading researchers throughout the Hopkins ecosphere. This will help guide the in-class discussions.

• Days/Times: W 12:00PM - 2:30PM
• Instructor: Bah, Ibou
• Room: Bloomberg 259
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

This seminar will introduce students to the disease tuberculosis, to human innate and adaptive immune systems and to the molecular biology of Mycobacterium tuberculosis, an intracellular pathogen which infects humans and manipulates the human immune response to escape detection and elimination. We will even grow cultures of Mycobacterium smegmatum, M. tb’s harmless relative. In addition, millions worldwide have tuberculosis, and this disease is a case study in the measures that are being used to control the spread of an epidemic disease.

• Days/Times: TTh 4:30PM - 5:45PM
• Instructor: Horner, Robert D
• Room: UG Teaching Lab (UTL) 189
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

This first year seminar will delve into the surprising ways that chemistry weaves its way through our day-to-day living. We will discuss topics that cover a variety of useful applications from "Chemistry in Medicine" to "Chemistry in Cooking & Baking". We will explore the material covered in our weekly discussions some more, by carrying out a few experiments to enhance our learning. No prior knowledge of chemistry in required.

• Days/Times: Th 10:30AM - 1:00PM
• Instructor: D'Souza, Larissa N
• Room: UG Teaching Lab (UTL) 189
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

"Love is mad, love is obsessive, love can be a painful or tragic, or on the contrary an experience to be treasured forever. That's what books have taught us, by giving poetic souls a chance to imagine and develop romantic ideas -- on paper. These books have in turn inspired films, or in earlier days, great operas. This course is offered to those of you who might miss the experience of getting lost in a book or story! As a historian of ideas and a specialist of narrative with a keen interest in bodies, minds and feelings, and in gender, I will explore with you in this seminar a few favorite love stories. Each is chosen because it helps us uncover a universe of romantic feelings, often in conflict with social conventions (as is Romeo and Juliet for example). Our course will also involve the study of a film (Jane Campion's Bright Star) and possibly of the opera, La Traviata -- as well as a class trip to the movies to see, if available, a recent presentation of our theme. Among the readings for this class: The Legend of Tristan and Isolde, Goethe's The Sorrows of Young Werther; a selection of contemporary short stories.

• Days/Times: TTh 3:00PM - 4:15PM
• Instructor: Ender, Evelyne
• Room: Shriver Hall 001
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

A famous, very experienced clinician used the phrase "The Soul of Care," signaling that medicine is not merely about fixing bodies. He wants to remind us that scientific knowledge involves mastery as well as empathy. "Narrative medicine" as this domain is called, assumes that the close study of stories can play a decisive role in preparing doctors for the challenging humanistic aspects of their profession. We focus in this First-Year Seminar on stories connected to medical cases, stories that can take us beyond medical questions to deeper issues connected to the human condition. Our seminar will be centered on discussions, often prepared in teams, based on your attentive close reading and research. The aim is to exercise your observational skills and imagination. What is at stake, medically and humanly speaking, is our capacity to uncover problems, dilemmas, ethical questions woven into texts that take us into the worlds of doctors and patients. Readings will involve a combination of modern and contemporary short stories, some of them more obviously fictional than others, some of them geographically or culturally more remote. Part of our study will also involve one longer text, namely When Breath Becomes Air, by Paul Kalanithi, and a small "anthology" of documents of a preparatory kind. We'll have at least one guest speaker, and also see a film together.

• Days/Times: MW 3:00PM - 4:15PM
• Instructor: Ender, Evelyne
• Room: Gilman 208
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

Animals have evolved a vast array of sensory systems that support a rich repertoire of natural behaviors. Some animals live in dark environments and use tactile, chemical, electrical and auditory sensors that allow them to operate in the absence of light. Other animals rely heavily on vision and take advantage of colors that humans cannot see. In this First-Year Seminar, we will explore extraordinary adaptations of sensory systems in animals that live on land and under water. Our focus will be on sensory systems that guide navigation and foraging behaviors in species as diverse as star-nosed moles, weakly electric fish, honeybees, and echolocating bats. As we delve into understanding the extraordinary sensory systems of selected species, we will also consider how these animals have inspired literary and visual artists. We aim to introduce students to a rich interdisciplinary experience that opens their eyes to new areas of inquiry as they take advantage of local resources, such as the National Aquarium, Baltimore Zoo, Wyman Park, Peabody Institute, and Baltimore Museum of Art.

• Days/Times: M 1:30PM - 4:00PM
• Instructor: Moss, Cynthia F.; Russell, Arthur J
• Room: BLC 4040
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

This First-Year Seminar combines current state of the art issues in Cosmology, Astrophysics and Biology around the Scientific American level. Discusses the history of thought on these issues ranging from Aristotle, Lucretius, Galileo, Newton, Einstein…to the Hubble and JWST era. For the last part of the seminar, we will consider existential issues for humanity in our Universe. Excellent books to read to start thinking about this are by Toby Ord: Precipice and Martin Rees: (1) The Future of Humanity and (2) If Science is to Save us. Our discussions and investigations will likely lead us toward many interesting and innovative paths.

• Days/Times: TTh 9:00AM - 10:15AM
• Instructor: Norman, Colin
• Room: Bloomberg 259
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

The current paradigm for understanding addiction is a brain disease of compulsion, investigated in large part through animal models. Yet addiction in humans has dimensions of meaning and suffering alike that cannot be captured by neuroscience or modelled in animals. This First-Year Seminar explores addiction by combining what we know from addiction science with what we know from philosophy and the humanities, as well as therapy, journalism, film, and autobiographical narratives. We will work to understand the puzzle of why people use drugs in ways that can come to destroy their lives through these various lenses and without recourse to stigma, dogma, or dehumanization. This interdisciplinary course will develop students' skills in reading, analytic thinking, and writing; we will also visit an animal lab.

• Days/Times: M 10:30AM - 1:00PM
• Instructor: Pickard, Hanna
• Room: Gilman 288
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

The loom is the ancestor of the modern computer. We owe our digital existence to an analog woven structure. In this First-Year Seminar, we will examine the digital screens that surround us, the faces and images projected upon them, and how we can understand them better through fiber art processes. Through discussions of traditional and modern artists as well as hands-on fiber experiments and techniques, we will explore the relationship between the tactile and the digital. With visiting artists and museum trips, we’ll discover new ways to engage with the screens, textiles, and pixels that surround us.

• Days/Times: M 4:30PM - 7:00PM
• Instructor: Baskin, Sasha
• Room: Olin 304
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

In a moment in time in which our very democracy at risk, this First-Year Seminar will investigate why democratic erosion is occurring, its ramifications, and how to address it. Led by Scott Warren, the co-founder and former CEO of Generation Citizen, a national civics education organization, and a current Fellow at the SNF Agora Institute, this seminar will be heavily discussion-based, relate to current events, and will explore the dynamics and interplay between the realities of democracy in the US and around the world, social entrepreneurship, social change, and policy. This course aims to introduce students to some of the most important issues and debates surrounding democratic consolidation and erosion around the world. Students will study different case studies of democratic erosion and social transformation (or proposed social transformation) from across the United States and world. We will also explore how movements across the world in response to authoritarianism and anti-democratic sentiment are driving the themes explored in the course.

• Days/Times: M 12:00PM - 2:30PM
• Instructor: Warren, Scott L
• Room: Greenhouse 113
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): AGRI-ELECT

In this First-Year seminar, we will ask why maps and mapping technologies have become useful – some would say central – to the pursuit of new knowledge. Do they clarify, simplify, amplify, organize, reveal unexpected connections, point the way forward, or severely complicate our thoughts and send us back to the drawing board? We will learn/review some GIS basics, and those among you with previous experience in these technologies will be welcome to contribute ideas and share skills (no previous experience is required). Over the course of the semester students will pursue their own group projects, developed in class discussions and visits to various mapping technology hubs around Hopkins, such as Geospatial Data and GIS technologies at Milton S. Eisenhower Library, brain mapping technologies at Biomedical Engineering, and approaches to mapping the heavens at the Space Telescope Science Institute. We will also ground ourselves in the Humanities by reading The Odyssey of Homer (trans. James Lattimore, any edition) and testing out various mapping techniques on the intersecting adventures of Odysseus, his son Telemachus, and his wife Penelope. A series of short close reading assignments on selected passages from The Odyssey will help to refine analytical and writing skills, and a final group or personal project report on a topic of your choice will address the (very) general subject of “How maps enhance, change, clarify or complicate ideas.

• Days/Times: M 3:00PM - 5:30PM
• Instructor: Patton, Elizabeth
• Room: Gilman 134
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

Using literature as our primary lens, in this First-Year Seminar we will explore our complex relationships with food, considering it as both material fact and literary symbol. We will read prose and poetry by writers such as Chang Rae Lee, Kevin Young, Mary Oliver, Naomi Shihab Nye, Gary Soto, and Joy Harjo, engaging issues of food and community, food labor and production, climate change, and more. As part of our explorations, we’ll spotlight aspects of Baltimore food culture and history, and students will be asked to examine and share their own personal and cultural relationships with food. Assignments will include creative writing exercises that draw on both research and personal experience.

• Days/Times: W 3:00PM - 5:30PM
• Instructor: Snider, Bruce H
• Room: Gilman 134
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

Where do critical metals that we use every day for our technologically advanced society come from? We will discuss questions surrounding the exploration and ownership of metallic resources and their exploitation. We benefit, but at what cost to others? To address these questions, we look at individual critical metals and their exploitation in a variety of countries from Africa, to South America, and Southeast Asia including Australia. As an example, cobalt is currently crucial for electric car batteries: see the book by Siddharth Kara (2022) "Cobalt Red: How the Blood of the Congo Powers Our Lives". Should we alternatively get cobalt by the proposed mining of the deep ocean floor? Who has the right to do that? Weekly readings and discussions, and guest speakers lead to mini-research projects on such topics.

• Days/Times: MW 3:00PM - 4:15PM
• Instructor: Sverjensky, Dimitri Alexander
• Room: Olin 204
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

How does language get entangled in our cultural and social understandings? How do we learn to locate a person correctly in a particular social class or ethnicity? This course aims to show the ways in which language is at the center of our daily interactions and our institutions. We will learn conceptual tools to examine the ways in which writers and leaders attempt to persuade their publics in important matters such as climate change, party politics, and religious differences.

• Days/Times: W 1:30PM - 4:00PM
• Instructor: Haeri, Niloofar
• Room: Mergenthaler 426
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): CES-ELECT

This First-Year Seminar course will explore how 21st century childbearing conditions have changed, and the relationship of politics to these changes. Among the topics to be discussed are the impact on male and female infertility of assisted reproductive technologies that promote birth, including in vitro fertilization and intracytoplasmic sperm injection. But beyond how these technologies function, such topics as how decisions are/should be made about issues such as the acceptability of using genetic material from someone other than the hopeful parents to aid couples in having children will be addressed. Also to be discussed are how genetic technologies can be used to modify sperm, eggs and embryos, including risks, benefits, ethics and politics, and how, when and whether stem cells obtained from in vitro fertilization “leftovers” can be used. The ways in which these new approaches are perceived by the general public and by politicians, and how these perceptions affect the use of the new approaches, will be explored. Topics also will include whether abortions should be disallowed, allowed only under specific circumstances such as fetal anomalies observed during prenatal screening, or available as a women’s (or couple’s) right to choose. Contraception, both female and male, also will be explored. Thus, in addition to the science, this course will focus on when and how decisions are made regarding issues related to childbearing, including the roles of politics and social media.

• Days/Times: T 12:00PM - 2:30PM
• Instructor: Zirkin, Barry R
• Room: Gilman 277
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

What does it mean to “create”? Who is the “creator” of a beloved comic book or a best-selling song and by what standard(s) is that determined? What rights, if any, does “creation” convey legally, or even morally? In this First-Year Seminar, we’ll take an in-depth, interactive, inside look under the hood of intellectual property rights and the battles that shape the multi-billion-dollar global entertainment industry. Reading sections of Supreme Court and lower Federal Court decisions, as well as relevant outside articles, we will explore (allegedly) stolen award-winning films and hit songs, understand why zombies eat copyright for breakfast, investigate why artists behind iconic Marvel and D.C. superheroes believe their rights—and staggering sums of profit—got zapped far across the multiverse, and much, much more. The seminar will involve weekly readings and/or screenings, and will culminate in a final project where you, the class, will serve as the (mock) jury on a real copyright infringement case involving three of the most popular, diverse and wealthiest entertainers of all time.

• Days/Times: TTh 1:30PM - 2:45PM
• Instructor: Libowitz, Sig
• Room: Gilman 134
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

Set against the background of the Cold War and highlighting the soundtrack of Stranger Things Season IV, this class asks students to bring their own playlist of five songs from the 60s, 70s, and 80s. In the course of the semester we will use these lists as a springboard to compile a final playlist that reflects the values and lived realities of the class. Some of the questions that will guide our evaluation of the song-texts are: What is the relationship between our taste and what we find beautiful? Can we find something ugly and repellent beautiful? How do the songs that we promote impact our society's understanding of what is good and important? Readings will include excerpts from Lessing, Hume, D. Albright, J. Chang and their critics.

• Days/Times: T 3:00PM - 5:30PM
• Instructor: Rhee, Sharlyn
• Room: Gilman 277
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

This course explores how science fiction functions as a literature of social and political critique just as much as it offers readers an imaginative escape to future or alien worlds. Students will read classic novels, novellas, short stories, and view films that confront such themes as artificial intelligence, posthumanism, ecological catastrophe and the role of technology in creating dystopias and utopias. The combination of reading, writing, discussion, and in-class presentations offers students a unique opportunity to immerse themselves in a particular genre as they journey “where no one has gone before.”

• Days/Times: T 10:30AM - 1:00PM
• Instructor: Loiselle, Ken
• Room: Greenhouse 113
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

A picture is worth 1000 words, or so goes the old saying. This hands-on writing workshop, explores the often-overlooked importance of TEXT in award-winning graphic novels and children's picture books. Over the course of the semester, we will delve into a wide range of topics, from understanding the relationship between image and text and thinking cinematically, to effective techniques for storyboarding and creating forceful dialogue. And like all good writers, we will work on developing the kind of rich characters, strong dialogue, and compelling themes that captivate readers. To enrich our writing efforts, we will embark on various outings during the semester. These will include visits to an illustrator's studio and an independent bookstore specializing in graphic novels. We will also interact with an array of professional writers and editors both in class and at extra-curricular events. The central goal of this course is to build a community through writing. No prior experience in creative writing or visual art is necessary. All that is required is enthusiasm for the topic and a willingness to share your work with others.

• Days/Times: M 4:00PM - 6:30PM
• Instructor: Celenza, Anna H
• Room: Gilman 277
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

All organs in the body are innervated by peripheral nerves, which deliver biological signals between the central nerves system and the rest of the body. This First-Year seminar will investigate how peripheral nerves interact with different organs, and how diseases and disorders of the peripheral nerves effect core bodily functions such as voluntary movement and temperature sensation. Following short lectures on each topic, students will analyze research papers and other material, discuss sources in small, rotating groups and present their findings to the rest of the class. We will also visit various research labs across campus, hear from leading researchers, and participate together in Grand Rounds at the Johns Hopkins School of Medicine.

• Days/Times: W 12:00PM - 2:30PM
• Instructor: Farah, Mohamed H
• Room: Greenhouse 113
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

This course combines historical and ethnographic investigations of the wastefulness of modern medicine in ecological, economic, and bodily terms. Why, in the past half-century, has the production of medical waste skyrocketed? Who bears the environmental costs of the incineration of disposable medical technologies? What new sustainable solutions might be retrieved from past practices? At the intersection of medicine, science, and humanities, this course explores the human and planetary costs of our wasteful healthcare systems, and what can be done to envision a more sustainable future. Readings will be centered in historical and ethnographic investigation but will stretch across other humanities and social science disciplines, in conjunction with primary source readings from medical and public health journals, lawsuits and Congressional hearings, and new approaches to materials design for sustainable healthcare. Experiential partnerships with local, regional, and international advocacy groups will be important for this course as well, including the Planetary Health Alliance based in the Bloomberg Center in Washington DC, the Sustainability Leadership Council of Johns Hopkins University, and local environmental justice advocacy surrounding the Curtis Bay Energy medical incinerator, which was recently the subject of the largest environmental fine in Maryland history.

• Days/Times: T 1:30PM - 4:00PM
• Instructor: Greene, Jeremy
• Room: Gilman 300
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

How should we, as individuals and a society, reduce wasted food and create a more resilient food system? The course asks students to apply diverse perspectives to understand and address the complex problem of wasted food. Students will be exposed to a scope of up-to-date research from sociocultural, health, technological, environmental, economic, political, and justice-oriented lenses through guest speakers, multimedia resources, and community engagement on and off campus. By conducting their own examination of this real-world issue and proposing solutions, students in this course will develop critical thinking, research, and presentation skills valuable for future coursework and careers in any field.

• Days/Times: M 3:00PM - 5:30PM
• Instructor: Harper, Kaitlyn M
• Room: Greenhouse 113
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

The class will learn by readings from books such as The White Plague by Rene’ and Jean Dubos, The Microbe Hunters by Paul de Kruif, The Aetiology of Tuberculosis by Robert Koch and Fever by John Fuller, videos, class interactions and discussions, and after the introductory portion of the course, by presentations of research papers about M. tuberculosis pathogenesis and treatment.

• Days/Times: W 4:30PM - 7:00PM
• Instructor: Hauschildt, Katie; Iwashyna, Theodore
• Room: BLC 4040
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

Over the past 250 years, Germany has produced some of the most influential currents of philosophy as well as drama—at the same time that it has been the site of the greatest horrors of the modern era. In this course, we will read (and view) tragedies, comedies, and cabaret scripts that address developments in German thought and society from the Enlightenment to the present. We will ask: How effective are performances at transmitting ideas and values? How do they balance emotional involvement with intellectual understanding? What is the function of words, gestures, music, and staging, and how do they interact? And what are the relative strengths of the various genres: tragedy, comedy, cabaret? The sources will range from classics of 18th-century drama (Lessing’s Nathan the Wise and Goethe’s Faust) to highlights of 20th-century theater (the plays of Brecht, cabaret songs and skits). We will read most of the works as texts, but we will also view videos and films, and perhaps (depending on the offerings of local stages) attend performances.

• Days/Times: MW 12:00PM - 1:15PM
• Instructor: Jelavich, Peter
• Room: Gilman 134
• Status: Open
• Seats Available: 1/12
• PosTag(s): n/a

How we become unique is one of the deepest questions that we can ask. The answers, where they exist, inform how we think about morality, public policy, faith, health care, education, and the law. Although investigating the origins of individuality is not just an endeavor for biologists, many of this topic’s most important aspects involve fundamental questions about the development, genetics, and plasticity of the nervous system. The good news is that recent scientific findings are illuminating this question in ways that are exciting and sometimes counterintuitive. The better news is that it doesn’t just boil down to the same tiresome nature-versus-nurture debate that has been impeding progress and boring people for years. Genes are built to be modified by experience. That experience is not just the obvious stuff, like how your parents raised you, but more complicated and fascinating things like the diseases you’ve had (or those that your mother had while she was carrying you in utero), the foods you’ve eaten, the bacteria that reside in your body, the weather during your early development, and the long reach of culture and technology. So, let’s dig into the science together. Our sources will be not only books and articles but also visits by guest scientists and artists as well as engagement with films and stories that explore human individuality. It can be controversial stuff. Questions about the origins of human individuality challenge our concepts of nation, gender, and race. They are inherently political and incite strong passions. Given this fraught backdrop, we’ll do our best to play it straight and synthesize the current scientific consensus (where it exists), examine the controversies, and point out where the sidewalk of our understanding simply ends.

• Days/Times: MW 1:30PM - 2:45PM
• Instructor: Linden, David J
• Room: Gilman 134
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

Unlike Disney's talking teapots and candlesticks, ""real life"" objects can't tell their own stories. Through research and writing, however, we can ""animate"" and contextualize art and artifacts with our words, illuminating the people who made and used those objects, particularly those whose own voices have been historically marginalized. How can creative writing bring the past to life both imaginatively and responsibly? How do writers choose and use literary techniques to reckon with history? Poems we will examine and discuss include ""Ode on a Grecian Urn"" by John Keats, ""Voyage of the Sable Venus"" by Robin Coste Lewis, ""The Museum of Obsolescence"" by Tracy K. Smith, ""In the British Museum"" by Thomas Hardy, ""mulberry fields"" by Lucille Clifton, and ""How to Look at Pictures"" by Rebecca Morgan Frank. This course is an experiential collaboration between the Writing Seminars* and the Homewood Museum*, where students will explore the museum's collection and curate a public exhibition featuring their writing. *By way of introduction, The Writing Seminars is Johns Hopkins University’s creative writing department, offering both a major and a minor to undergraduate students, as well as a Master of Fine Arts graduate degree; Johns Hopkins University’s Homewood Museum is an early nineteenth-century National Historic Landmark site focusing on the enslaved families who lived and labored on the land that would later become the university’s main campus. With a focus on early American decorative arts, Homewood’s collection provides students with the opportunity to have hands-on experience with museum objects and to consider the role of museums and antiques in a new and creative light.

• Days/Times: W 1:30PM - 4:00PM
• Instructor: Malech, Dora Rachel
• Room: Krieger Laverty
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

Poets, novelists, and essayists have gravitated to painting and its powers as a way of testing the powers of their own medium; the visual arts have served them as stimulus and challenge. This course broadly concerns the relation of these two art forms; more narrowly, it concerns attempts by writers to respond adequately to paintings that moved them We are likely to read work by Virgil Lessing, Virginia Woolf, Ali Smith, W,H. Auden, Mark Doty, and Rainer Maria Rilke; and study paintings by Cezanne, Klee, Brueghel, Morisot, Turner, and Monet.

• Days/Times: M 1:30PM - 4:00PM
• Instructor: Miller, Andrew
• Room: Gilman 277
• Status: Open
• Seats Available: 1/12
• PosTag(s): n/a

Humans are increasingly thinking about their relationship with nonhumans, ranging from AI to animals to corporations, including what it means to communicate with nonhumans or nonhuman systems. AI speech can now be mistaken for human speech but is commonly thought not to have meaning or intention in the same way. Many animals have complex verbal and nonverbal modes of communication; elephants, for instance, raise distinct sounds of alarm based on the kind of danger that is coming. Corporations in the United States have legal personhood, which includes the right to free speech, and are often talked about as if they have intentions, values, and desires. This class will query how we should interpret nonhuman communication across a range of sources and perspectives, including law, literature, philosophy, science, and popular culture. How do we know what such communication means, or if it has meaning, and according to what criteria? What is the relationship between communication and rights, including the right to personhood? And how does nonhuman communication change our understanding of how humans create meaning and connection with one another?

• Days/Times: T 10:30AM - 1:00PM
• Instructor: O'Connor, Marisa T
• Room: Shriver Hall 001
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

What do we call "home"? It seems that when we call (something) home, we are all reaching out toward different places or ideas. Is it a haven? a source of identity? the object of longing? a domain of hierarchy and oppression? This course offers a critical examination of the apparently self-evident notion of home. Through the lens of disciplines like anthropology, literature, or socio-legal studies, we will explore home in diverse cultural settings, as realms of care, intimacy, and belonging yet also as sites of subjection, discrimination, and gender/racial inequality. Our analysis will extend to a variety of media such as films, podcasts, music, museum exhibits, and personal experiences.

• Days/Times: TTh 9:00AM - 10:15AM
• Instructor: Procupez, Valeria
• Room: Mergenthaler 439
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): CES-ELECT

Traveling through Europe has been an enriching experience, with its apex in the 18th and 19th century. The Grand Tour of Italy is “the most interesting of all possible voyages” wrote Abbé Gabriel-Françoise Coyer in his travel journal (1763). It was a sort of “gap year” but represented much more. It was a formative journey, where the young elite would deepen their knowledge in classical literature and refine their taste for art and architecture. It was also an immersion in the leisure that traveling offered. The phenomenon of the Grand Tour produced an immense amount of travel literature, journals, and provided a backdrop and inspiration for countless novels. It also played and defining role in constructing identity, individual and national, setting a canonical cultural path. How can we retrace part of this path through Italy through a different point of view? Introducing a less normative dominated reading of the lived experience of the Grand Tour? In this course we will (re)discover Italy in the glory of the Grand Tour golden era through the writing of women writers, the American antislavery activist Fredrick Douglass and A range of queer and other rubbles and outcast visiting Italy. In class, we will look at excerpts of texts including some by Mary Shelley, Vernon Lee, Margaret Fuller, Madame De Stäel, J.A. Symonds, Goethe, Lord Byron. We will take advantage of the great collections of art like (Waters Museum and BMA) becoming grant tourists ourselves and discuss and analyze the styles and subjects of art and architecture of Italy (mostly in Venice, Florence and Rome). We will also take advantage of the Special Collections at the Sheridan Library that houses rare books and documents that we can look closely. Every week the material will be presented in different forms, book excerpts, articles, collections, but also movies, theater pieces and music.

• Days/Times: MW 12:00PM - 1:15PM
• Instructor: Proietti, Leonardo
• Room: Krieger Laverty
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

"The question of what makes Disney characters so popular will guide us through this First-Year Seminar as we examine the films and particular Disney figures, embedded in narratives, from an angle that is both celebratory and critical. We will curate the characters to be analyzed and place them in their social, cultural, literary and filmic contexts, while taking special note of the global, political, economic and technological issues that have shaped the animation enterprise. A special emphasis of the course will be on the question of audience, and our own responses to the aesthetic, ethical, and visceral aspects of select Disney characters -- including Mickey and Minnie Mouse, Maleficent, and Mother Gothel.

• Days/Times: Th 3:00PM - 5:30PM
• Instructor: Rhee, Sharlyn
• Room: Gilman 277
• Status: Open
• Seats Available: 1/12
• PosTag(s): n/a

During the Renaissance, Christians frequently depicted the Four Horsemen of the Apocalypse, the personifications of disease, famine, war, and conquest. Nearly half of all children died before the age of five and ten percent of women died of childbirth or of pregnancy related complications. Wars consumed the continent during the bloody sixteenth century, thanks to advances in military technology and religious violence. With no knowledge of the cause of disease and absent antibiotics, disease was as terrifying as mass murder. In this class, we explore death, dying, health, and hope in early modern Europe. How did death and the fear of death shape society? How did it affect politics and economics, gender and family? At the center of death – and life - was religion; in this chaotic world, disease was a punishment and God the only cure; as a result, we will explore how religion was the other side of the coin of death and disease. We will learn how to read primary sources of Renaissance people grappling with their mortality and examine Renaissance art. In the process, we will investigate one of the biggest questions human beings confront: What is the meaning of life in the face of death?

• Days/Times: F 12:30PM - 3:00PM
• Instructor: Rowe, Erin
• Room: San Martin Center 200A
• Status: Open
• Seats Available: 1/12
• PosTag(s): n/a

Is physics a noble science built on inspiration, ingenuity, and ideas? What does it mean to win a Nobel Prize? Why was the prize established? What ideas are awarded? Who gets credit? How long does it take? Has a prize ever been rescinded? How well do Nobel ideas stand the test of time? - Sources that we will explore include library archives, the speeches of Nobel Laureates, and released records of nominees, as well as some of the topics for which the prizes were awarded - We can explore JHU's influence on nobel-awarded physics research, and at the University's involvement in Nobel-based or Nobel-related physics and astronomy research - Experiential components of the semester may include looking at how Nobel prizes are depicted in the media and popular culture, documentaries and biopics of prize winners and research (e.g. the movie Particle Fever for the Higgs) and popular-level books; recreations of demonstrations or laboratory setups of Nobel-winning experiments; recordings of an awards ceremony; class discussion and activities related to the 2024 prizes that will be announced during October/November 2024; invitations to guest speakers; and possibly a museum or laboratory visit.

• Days/Times: M 4:00PM - 6:30PM
• Instructor: Speller, Danielle Hope
• Room: Bloomberg 259
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

In this course you will learn about the life and legacy of Johns Hopkins – his ancestors, his family, his Quaker faith, his business career, his philanthropy and what we know about why he decided to found the university that you now attend. Along the way, we will examine rare artifacts, explore archival records, discuss current controversies, and visit some of the most important local landmarks associated with Johns Hopkins’ long and eventful life.

• Days/Times: Th 1:30PM - 4:00PM
• Instructor: Van Morgan, Sydney
• Room: Mergenthaler 266
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

In this seminar, students will learn about the hardest mineral on earth, diamond. Its unique Crystal structure, Chemical makeup, unusually low Compressibility, and unusually high thermal Conductivity are some of the physical properties that make it extraordinarily useful. We will also learn about geologic formation, diamond mining, the gem industry, and modern replacements. Class materials will include textbook excerpts, the movie Blood Diamond, and a field trip to the Smithsonian Hall of Geology, Gems, and minerals.

• Days/Times: Th 1:30PM - 4:00PM
• Instructor: Wicks, June K
• Room: Olin 204
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

It is difficult to think about the fact that you will die. It is confusing theoretically and it is confusing emotionally. We will be spending the course trying to think our way through the confusions. On the theoretical side, thinking about the fact that you will die raises a cluster of philosophical questions. What are you? Are you necessarily the sort of thing that ceases to exist when your biological life ends? What is it that connects you to your childish self and makes some person in the future you? And does the fact that you die diminish the value of your life? If it means the end of your existence, does it make life absurd, or meaningless, or only more precious? We will address these questions as well as whether death should be feared, whether death is bad, and whether immortality would be desirable. Being confronted with the fact of your death can also help focus questions about how you should live. It presses you to think about what makes life worth living? What makes a life meaningful? Are there objective answers to what makes a life meaningful, or is this a personal choice? If meaningfulness involves some kind of overarching project (e.g., achieving something, leaving something behind, participating in something larger than ourselves) is meaningfulness worth pursuing, or should we instead throw off the tyranny of purposes and just live? These are the things we will be talking about over the course of the semester.

• Days/Times: W 1:30PM - 4:00PM
• Instructor: Ismael, Jenann T
• Room: Gilman 288
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

More than 500 federally recognized Native tribes and many more who are not federally recognized live within the borders of the United States. Each of these communities has its own history, identity, traditions, relationship to the land, and story of survivance. This First Year Seminar will examine the philosophical views of some of these American Indian communities as they relate to topics like truth, knowledge, identity and the self, causation, and ethics. We will compare these Indigenous approaches with one another and with Euro-American approaches. We will also explore contemporary American Indian thought as it relates to colonialism and anti-colonialism, land, futurity, sovereignty, and resistance.

• Days/Times: MW 10:30AM - 11:45AM
• Instructor: Connolly, Patrick
• Room: Gilman 134
• Status: Open
• Seats Available: 3/12
• PosTag(s): CES-LE

Climate change poses an existential threat to human civilization. Yet the attention and concern it receives in ordinary life and culture is nowhere near what science tells us is required. What are the causes of this mismatch between crisis and response? What accounts for our collective inability to imagine and grasp this new reality, and how can it be overcome? In pursuit of these questions, we will pair literary works and films with texts from politics, philosophy, literary theory, and religion, that frame climate change as a fundamental challenge to our ways of making sense of the human condition.

• Days/Times: TTh 9:00AM - 10:15AM
• Instructor: Lisi, Leonardo
• Room: Gilman 208
• Status: Open
• Seats Available: 3/12
• PosTag(s): CES-LE

What are the implications of Africa’s urban revolution? In the last century, Africa’s cities have boomed at a dizzying pace, witnessing the most rapid urbanization in human history. This trend is unstoppable; yet it comes with opportunities and challenges. This first-year seminar invites students to explore Africa’s cities, their evolution from precolonial times to the digital age, their quest for modernity, and the unique repertoires of urban life they have registered thanks to the creativity of their overwhelming young denizens

• Days/Times: TTh 10:30AM - 11:45AM
• Instructor: Gondola, Didier Didier
• Room: Mergenthaler 266
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): n/a

Language is at the heart of human interaction. What are the linguistic habits that unite or divide us? This First-Year Seminar introduces students to dialects of English speakers around the world. Students will explore the major properties that cross-cut different varieties of English, including regional or socially-driven accents of North America, the United Kingdom, New Zealand and Australia, as well as other World Englishes. Particular attention will be paid to pronunciation, so students will practice the International Phonetic Alphabet and learn acoustic analysis through hands-on activities, but discussion will also focus on dialectal differences in word choice, sentence structure, and linguistic meaning. We will engage with known and emerging varieties of English by drawing on academic sources, multimedia materials, and real-world experience. Who speaks with an accent? Everyone!

• Days/Times: MW 12:00PM - 1:15PM
• Instructor: Renwick, Margaret
• Room: Krieger 134A
• Status: Waitlist Only
• Seats Available: 0/12
• PosTag(s): COGS-LING

This First-Year Seminar offers an in-depth exploration of Baltimore’s queer and trans archives, expansively defined, engaging with interdisciplinary scholarship on "the archive" within queer and trans studies. Beginning with a brief survey of U.S. LGBTQ history, students delve into archival research methods and hands-on explorations in JHU Special Collections. We then engage with queer theory, performance studies, and public humanities scholarship to ask what we can know of the recoverable past and what silences the archive might contain, approaching the queer archive as a complex record of activity that includes ephemera of events, shows, and collective affect; innuendo and gossip; residues of queer nightlife; performance and gesture. We ground these theoretical explorations by visiting Baltimore-based institutional and non-institutional archives, where we engage with 1970s LGBT newspapers and 1960s medical documents, oral histories recorded by local trans artists, street youth photography, and the embodied archives of vogue performance. Throughout the course, we underscore the transformative potential of engaging with the queer and trans past to forge solidarities in the present and map more just and gorgeous futures.

• Days/Times: T 12:00PM - 2:30PM
• Instructor: Plaster, Joseph
• Room: Mergenthaler 431
• Status: Open
• Seats Available: 5/12
• PosTag(s): n/a